知.鉴赏|精品 清酒的时尚|餐饮空间【知行设计295期】
2016/6/16 知行室内设计网

    

     知.鉴赏

     【精品 清酒的时尚|餐饮空间】

     |知停.而行|

     我们每个人都生活在高速奔跑的时代

     然而学会停下来积蓄力量

     是成为一名真正优秀设计师的最佳途径!

     此项目是主要为客人提供清酒的日式餐厅。从清酒到表现水的“清流”成为构思空间的主要概念。餐厅墙面的格栅是由不同斜度切削的木条构成，从天花上设置向下的光来表现水流下来的瀑布感。天花也使用木格栅并设计不同密度变化的格子来与流水的格栅墙面协调统一。榻榻米包间区的墙面对话现代性拉阖门绘画，黑色背漆玻璃打印上抽象山水画样的丝网印图案和光一起呈现出复杂倒影的立体感。VIP间的墙面采用与大厅墙面同样的木格栅，而定制的不同角度的磨砂亚克力棒的吊灯更加强调出空间的流水感。

     This project is a Japanese restaurant that serves many kinds of sake in Beijing. For expressing sake, we define main concept as “water stream” which is a very important essence of sake. On the wall of hall, we created waterfall by putting wooden louver which is consist of straight bars and a various length of tapered bars and LED glazer light being shot down from top of the louver wall. On the ceiling we selected plastic wooden louver, and the gradual change of the bars’ length has synchronization with waterfall wall. As we define the partition between tatami room and hall as contemporary “FUSUMA picture”, on surface of the black colored glass gradation pattern is silk-printed like an abstract Shanshuihua, and it also has complex and spatial reflection by gradation pattern and glass. The wall of the VIP room is same as that of the hall, besides a various length of order-made frosted acryl edge lighting emphasizes the concept of “water stream”.

    

     餐厅的瀑布墙面并不仅仅是表现水流，而是指向创造空间的矛盾性。从远方初见如瀑布一样的墙，到再次很近的距离就餐时，水烟样的反射光带来温柔安静的氛围。瀑布墙面上部错落的木格栅，下部平整的木板墙。思考这种矛盾性会给空间付与感动。正如艺术家约瑟夫?亚伯斯所言，“物质事物与精神效果脱节”。这是一种矛盾也被认为是“艺术的泉源”。

     The meaning of waterfall wall is not only to express water stream but also to create a contradiction of the space. When we see from far side of the space, dynamic waterfall appears, on the other hand when we’re sitting and having dinner, reflected light like a mist on the water creates calm atmosphere. Upper side of the wall can be seen as louver wall, but downer side of the wall can be seen as flat wooden wall. I’m considering such contradiction just can create an impressed space. For the last sentence, I quote one artist’s saying. “The concern of the artist is with the discrepancy between physical fact and psychological effect”, Josef Albers.

    

    

    

    

    

    

    

    

    

    

    

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